104 로열티 프리 오디오 트랙들 "Fm Modulation"에 대한

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Looking at the spectrogram waveform display of https://freesound. Org/people/ivolipa/sounds/344948/ i noticed a few patterns. Distinct bands of high volume at around ~600hz, ~1200hz, ~1800hz, the fade in volume toward higher frequencies, a ubiquitous noise, and the soft staccato rhythm. Using these facts, i tried to make yet another engine sound with fm-synthesis. Sound forge 7 — to my knowledge — lacking a spectrogram, i've no clue if this was a successful attempt, but it does have a vaguely engine-like sound.
著者: Mrlindstrom
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00:04
The dx-harp sound,made popular by ray lynch. Created with dexed-vst and audacity.
著者: Tarane
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03:44
著者: congusbongus
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02:28
著者: congusbongus
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00:35
著者: Spring Spring
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02:44
著者: Spring Spring
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00:35
著者: Spring Spring
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00:34
Alien female and animals voices modulations and sound effects fragment 01.
著者: Adrian
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00:49
Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.
著者: Gis Sweden
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01:31
Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).
著者: Adrian
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04:54
Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.
著者: Gis Sweden
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00:11
Dead air from the fm dial at 107. 3, volume boosted.
著者: Cognito Perceptu
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00:46
Dead air static with a "singing" hum at 103. 3 on the fm radio dial, with the volume boosted and slight effect added.
著者: Cognito Perceptu
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00:14
This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .
著者: Cosmicchill
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00:28
Static with a sort of jackhammer pace at 107. 9 on the fm side of the radio dial. Recorded from a digital tuner, with a quick flip to 87. 5 fm then back to the 107. 9 static. Definitely qualifies as noise.
著者: Cognito Perceptu
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02:05
Polyrhythmic synth sequence. Exploring with ring modulation.
著者: Gis Sweden
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00:10
Moving a lane on a grid.
著者: Pappabert
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01:34
Electronic generated sonic object non human female voices modulations sample 1.
著者: Adrian
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00:12
Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.
著者: Kbclx
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03:16
No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .
著者: Gis Sweden
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10:56
A drone resting in chaos and ring modulator circuits.
著者: Gis Sweden
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14:43
Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.
著者: Gis Sweden
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04:55
Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.
著者: Gis Sweden
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07:38
Again polyrhythmic. . . But slow. Exploring with ring modulation.
著者: Gis Sweden
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03:36
Exploring with ring modulation.
著者: Gis Sweden
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05:06
Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.
著者: Gis Sweden
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05:13
A recording of myself doing some "creative tuning" willy-nilly around the available spectrum of "websdr at raf hack green", 3/11/13; trying to keep things interesting, yet not lingering too long anywhere in particular, and avoiding rather than seeking intelligibility of the various broadcasters. Some bits reminded me of ben burtt's "droid/alien chatter" material.
著者: James Duckett
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02:36
More modular synth sounds. My sounds. Found the tag "sound-poetry". What is that? have to search.
著者: Gis Sweden
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00:46
Dead air humming static at 103. 3 on the fm radio dial.
著者: Cognito Perceptu
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01:15
Hello all!i recorded this sample today, 10-11-2012 in la, ca, usa. I needed a radio tuning sample and i wasn't pleased with the ones i found, so i recorded one with my zoom h2!. I realized i actually didn't have a radio, so i went to a thrift store and bought one for $4. 34. It sounds perfect for what i need. This sample is in 44. 1khz, 24bit. Enjoy, comment, and download!. - jordanielmills.
著者: Jordanielmills
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04:26
著者: Spring Spring
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00:42
One classic passive ring mod based on 2 transformators and one vca based.
著者: Gis Sweden
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00:30
Playing with ring modulation on my modular. Zapp!.
著者: Gis Sweden
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00:01
A cat meow sample with ring mod applied to it.
著者: Vacuumfan
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00:01
A cat meow sample with ring mod applied to it.
著者: Vacuumfan
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02:24
Formatted for use in the make noise morphagene. This is the modulated and demodulated vocal track demonstrated in the video "demodulating signals with moddemix" available at https://youtu. Be/b3kt1fguq74.
著者: Makenoisemusic
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00:01
Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.
著者: Saif Sameer
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The famous delete! voice line from doctor who's "cybermen. ". I used voicechanger. Io to voice this. It would be recommended if you credit me for this, mostly to prove that this sound is voiced by someone other than nicholas briggs (voice actor for doctor who's cybermen and daleks).
著者: Chungusa
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32:52
Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound. I recorded for 1,5h. The synth gave me some strange slow crescendo. Don't really know why. This is the last 30 min. Space drone sci-fi sound.
著者: Gis Sweden
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00:05
Cutted parts of an audio experiment using carbon electra saws with some internal pitch envelope going on, going into trash 2, going into eq modulation, going into manipulator (formant & pitch shift, a bit fm modulation on a shifting frequency at times), going into ott.
著者: Diaframe
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00:28
Made in flstudio 20.
著者: Sanlega
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Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.
著者: Kbclx
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00:32
Alien modulated language technical or voice generated in technical noises atmosphere.
著者: Adrian
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Alien modulating voices and cryes in technical atmosphere.
著者: Adrian
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00:24
Simple frequency modulation with one carrier, changing basic feedback parameters.
著者: Ntwork
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00:05
Some lead square with some frequency modulation and slow filter decay.
著者: Blackie
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00:15
Rhythmic amp and filter envelopes play against each other with fm modulation. Bubbly edgy synth, no effects.
著者: Usedtobe
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03:00
Piece for, a sometimes fm modulated, oscilator and small sampler. Randomness and modulation hand in hand. Rejoicing the autumn time and the utterance of sounds.
著者: Gis Sweden
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01:53
Automation underwent 17 parameters in the modulation matrixsynthesizer toxicbiohazard (image-line).
著者: Snzl
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